Design without borders

by Austrian, British, Czech, Estonian, Finnish, Dutch, Hungarian, German, Polish, Italian, Austrian, Portuguese, Romanian, Slovenian, Spanish, Swiss and Slovak furniture, textile, object and jewellery designers, photographers as well as an event series augmented by contemporary dance performances and contemporary classical music concerts.

Kiscell Museum, 1037 Budapest, Kiscelli u. 108.
10 October 2021 – 28 November 2021.

The future of living
international exhibition series of contemporary Slovenian design selected by the Centre for Creativity, Ljubljana part of Design without borders exhibition.

The exhibition is part of the Autumn Festival, Budapest and Budapest Design Week event series.

The Design Without Borders exhibition has been a defining forum of the Hungarian design scene for many years, nowadays showcasing not only the works of furniture, textile, jewellery and product designers and visual artists, but also providing a platform for contemporary dancers and musicians as a kind of all-arts festival.

This year will feature the works of more than 150 creators from 16 countries – Great Britain, Czechia, Estonia, Finland, the Netherlands, Poland, Hungary, Germany, Italy, Austria, Portugal, Romania, Spain, Slovakia, Slovenia and Switzerland –, including world-famous designers like Yrjö Kukkapuro and Erja Hirvi from Finland, Jamie Hayón from Spain, Ross Lovegrove from Britain and Sebastian Herkner from Germany.

The Made in Slovenia – The Future of Living selection showcases the latest pursuits of Slovenian design as selected by the curators of the Centre for Creativity in Ljubljana. The award-winning objects of the Łódź Design Festival „must have” contest will also make an appearance among others, in collaboration with the Mickiewicz Institute of Poland.

For the fourth time, contemporary jewellery designers will receive considerable spotlight, having been selected by renowned curators such as Cornelie Holzach, director of the Schmuckmuseum Pfrozheim, Elisabeth Heine, associate curator of the Schmuckmuseum Pfrozheim, Austrian jewellery artist Susanne Hammer, art writer and collector Katalin Spengler, and the curators of DWB. The goal of the selection is to provide a picture as comprehensive as possible of the most progressive novelties of the genre. Each year the contemporary jewellery exhibition unit features a noteworthy school too. This year’s exhibit will feature the works of the students of the Estonian Academy of Arts’ Jewellery and Blacksmithing faculty.

The project focuses on the interoperability between genres and themes; the name is a reflection on the initiative’s international nature, regional dialogue, the European sense of belonging together and the links between various art disciplines. An express aim of the organisers is to showcase the interpretation possibilities of design in a wider sense: by broadening the concept, the creative approach and innovation are placed in the foreground, which are based on constant inspiration-gathering, dialogue between groups of different social layers, professions and generations, the clashing of differing opinions and the systematic flow of information. Following the practice of previous years, the showcased creations, objects and projects highlight the importance of the productive interaction between various fields – the visual arts and design or the visual arts and performing arts. However, the selection doesn’t only highlight the creators; it also raises awareness to the importance of social responsibility, environmentally conscious thinking, sustainable development, the societal role of creators and grassroots communities and networking.

Connected to the DWB exhibition is a project for textile designers: TEXHIBITION.
Conceived 6 years ago by textile designer Szilvia Szigeti, this programme fosters collaboration between designers and manufacturers. The selection once again includes the latest developments.

For the second time, creations of contemporary rug designers are displayed in the museum’s upstairs exhibition rooms.

Founding curators and organisers of the exhibition:
Szilvia Szigeti, Ferenczy Noémi Award laureate textile designer; and Tamás Radnóti, interior designer
Texts by: Gabriella Rothman (except MOME texts)

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PROGRAMS

10 October
10.30–14.00: Design without borders international online meeting and presentations
14.00–15.00: Monastery, barracks, chateau… museum! Guided tour of Kiscell Museum
15.30–16.00: Made in Slovenia – Future of living curatorial guided tour (Museum of architecture and design, Ljubljana)
16.00–16.20: Rita Góbi Dance Company contemporary dance performance
16.20–17.30: Curatorial guided tour – Szilvia Szigeti and Tamás Radnóti
18.00–18.30: An Object’s Speech – Solo concert of musician and composer Dávid Szegő (drums)

16 October
15.00–16.00: Monastery, barracks, chateau… museum! Guided tour of Kiscell Museum
16.00–16.20: Előhang (Overture) – contemporary music concert by accordionist Zsanett Szatzker and trombone artist Balázs Kovács
16.20–17.30: Curatorial guided tour – Szilvia Szigeti and Tamás Radnóti

EXHIBITORS 2021

Trinidad Contreras
Toivo Raidmets
Matej Záborský
Merlin Meremaa-Piho
Katharina Mischer, Thomas Traxler
Carla Szabo
Edgar Ondroušek
Klara Chytilova
Albert Virág, Pongrácz Farkas
Modra Bettina
Katja Prins
Lőrincz V. Gabi
Józsa István
Liina Lelov
Vörös Tara Zsófia
Radovan Labas
Tomáš Vacek
Irene Maria Ganser
Indrek Linnamägi
Krill Design Team
Csíkszentmihályi Réka
Magdalena Hubka, Piotr Grzybowski
Lucia Carnogurska
Kristin Beeler
Abaffy Klára
Paula Malinowska
Philippe Cramer
Losonczy Orsolya
Jermakov Katalin
Diriczi Csenge
Ward Wijnant
Ross Lovegrove
Jiří Krejčiřík
Giovanni Minelli, Marco Fossati
Ralf Stauss, Edward Richardson
Bíró Zsófia Gizella
Horváth Evelin
Veres Péter
Susanne Hammer
Kroneraff Orsi
Farkas Sára,Jakabos Juli ,Kopacz Hanna,Rudolf Vincze István
Gulyás Judit
Koós Daniella
Marcel Mochal, Eva Mochalová
Manuela Rigon, Chiara Zuliani
Estonian Academy of Arts
Kiko Gianocca
Jakub Jandurek, Michaela Tomiskova
Alexandre Caldas
Tauris Reose
Katarzyna Borkowska, Tomasz Pydo
Erja Hirvi
Strohner Márton
Andrea MAXA Halmschlager
Helena Lehtinen
Margherita Chinchio
Kerékgyártó András
Vereczkey Szilvia
Alexis Tourron, Stefano Panterotto
Szeredi Sára
Zimonyi Gwendolin
Szabó Tünde Julianna
Vető Márta
Julie Usel
Yrjö Kukkapuro
Oláh Sándor
Söptei Eszter
Hanna-Maria Vanaküla
Hanna Särökaari
Luzia Vogt
Újvári-Zsiga Luca
Eva Hudecová
Štefan Sekáč
Balázs Viola
Filip Mirbauer
Sigrid Kuusk
Erki-Eric Pillmann
Helena Dařbujánová
Oskar Zieta
Triin Kukk
Szabó Viki
Szabolcs Erzsébet
Kele Sára
Ewa Bochen, Maciej Jelski
Szigeti Szilvia
Ariel Śliwiński
Újváry Berta
Ioanna Adrelean
Horányi Kinga
Sabin Dumitriu, Claudia Voinea
Horváth Máté
Julia Koerner
Octavian Gugu
Jenni Sokura
Sinkovits Zsuzsa
Noemi Niederhauser
Veres Adrienn
Technical University in Zvolen
Jamie Hayón
Benedkt Fischer
Kanics Márta
Erinn M.Cox
Balaskó Levente
Jonas Marguet
Marcin Laskowski
Harsány Patrícia
Sebastian Herkner
Zuzana Svatík

EXHIBITIONS OF CONTEMPORARY SLOVENIAN DESIGN

The future of living
international exhibition series of contemporary Slovenian design selected by the Centre for Creativity, Ljubljana.

Aimed at local and international presentation, the Made In Slovenia brand and modular exhibition showcases products by Slovenian designers that are sustainable, innovative, ingenious, clear, functional, socially engaged and to a large extent also produced in Slovenia. The goal of our selection and the Made In Slovenia label of excellence is to create a collection which will be recognized worldwide as an example of good design from Slovenia, promoting the principles of sustainability and contributes to the cooperation between the creative and economic sectors.

The exhibition The Future of Living began its journey in Vienna, and after Berlin it will continue in Zagreb, Budapest, Paris and elsewhere. In total, we will present the exhibition at as many as 25 locations and events dedicated to design and the creative economy, to which we have dedicated this year in Slovenia. The entire project, created under the auspices of the Ministry of Foreign Affairs and the Ministry of Culture of the Republic of Slovenia, is one of the major promotional events of the Slovenian Presidency of the Council of the EU in 2021.

Exhibitions of Contemporary Slovanian design
Aklih Design Studio
Asobi
Darja Malešič
David Tavčar
Matej Štefanc
Grupo H
Iztok Lemajič
Jana Mršnik
Janez Mesarič, Mashoni
Jurij Lozič
Kaja Lipnik Vehovar, Arne Vehovar
Klara Zalokar, Klemen Zupančič
Kofein Dizajn
Kronoterm, Gigodesign
Lara Baler, Matic Komel, Boštjan Kopinšek
Luka Rugelj
Moi style
Neža Uran
Nikolaj Salaj, Anja Mencinger
Nina Mihovec, Wilsonic Design
Nina Mršnik, Nuša Jelenec
Primozjezastudio
Raketa Katjuša Kranjc Rok Kuhar
SADAR + VUGA
TAK kolektiv
Tanja Pak
Tea Gorič
Tina Košak Koren, Zavod Floios
Tina Rugelj
Tomaž Čeligoj
Ines Kovačič

BLOG - YRJÖ KUKKAPURO

He graduated in interior design in Helsinki in 1958, then opened his own studio a mere year later. The important stages of his career that spans more than half a century are tightly linked to the history of design. He experienced the advent of plastic in the Sixties, the postmodern revolution in the mid-’80s, even the digital innovations of the new millennium can be neatly traced in his works. Kukkapuro is still active, having thus far designed more than 100 products, with a predominance in seating furniture. Besides ergonomy, the psychological and scientific aspects of his work are also crucially important for their designer.

One of his best-known pieces of furniture is the Karuselli armchair from 1964. Built on a fibreglass frame, this soft-leather armchair is not only a design classic but is still one of the most comfortable pieces for resting.

The Moderno series of various armchairs and chairs is another defining feature of Kukkapuro’s career, which he designed before graduating. Typically Scandinavian, the first piece was made for a shoe shop in Helsinki, but can still be found in many Finnish public buildings to this day.

At first glance, the Tattooed series from 1993 looks quite spartan: a plywood chair adorned with graphic artist Tapani Aartomaa’s unique decor.

The CNC collection is already the child of the 21st century. Available in vivid colours, the armchair’s elements are cut to shape using a computer-controlled cutting machine. Only recycled materials are used to manufacture the chair which is shipped flat-packed.

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BLOG - ROSS LOVEGROVE

Ross Lovegrove

rosslovegrove.com

He began his career in the early 80s at Frogdesign of Germany, he then was a consultant at Knoll International in Paris, while also working in the Atelier de Nimes alongside Jean Nouvel and Philippe Starck. He opened his own office, Studio X in London in 1990. His ever-expanding clientele includes Italy’s Kartell, Cappellini, Moroso and Driade, as well as lamp specialists Luceplan and Artemide. Besides furniture and interiors, he has designed airplane seats, a camera and a wristwatch as well. His works have received several international accolades and are found in the collections of the New York Met and the Centre Pompidou in Paris.

His objects are inspired by Nature’s amorphous shapes, fluid characters and unique colours, revealing the humanist world view of a creator rich in emotion. They are permeated by a lust for experimenting with new materials and technologies and a progressive approach. Lovegrove’s works offer alternative solutions for numerous environmental and ecological issues. Even the essence of his philosophy is a loan from the genetic information carrier, DNA; its gist is the fundamentally important and indivisible union of Design, Nature and Art.

One of the most beautiful examples of this is the New Nature lamp designed for Artemide, one of the most significant factories worldwide specialising in luminaires. The organic and geometric luminaire is impressive, defines its space and produces exciting lighting and shadow effects. No wonder it became one of its designer’s most emblematic creations.

BLOG - ALEXANDRE CALDAS

Alexandre Caldas

aroundthetree.eu

For him creating is spiritual freedom like nothing else, his objects reveal an immense imagination and deep professional experience. His pieces are available in the AROUNDtheTREE range, offering highly sophisticated hand-crafted solid-wood models. The brand, as its name also suggests, operates based on a circular economic model and the applied production methods often draw on Portuguese handicraft traditions.

One of their best-known products, the armchair called Portugese ROOTS, was inspired by Gonçalo Rodrigues dos Santos’ Gonçalo chair designed in 1950. In 2013 Caldas reimagined the metal furniture piece – originally intended for café terraces – in solid wood; the lounge chair variant was unveiled a few years afterwards and won a design prize.

The Locust writing desk is one of the pieces the brand is proudest of. The model, built almost entirely of solid wood and treated with beeswax, is a real woodworking feat: its slightly slanted backrest and details that aren’t apparent at first glance make it a timeless piece.

BLOG - JULIA KOERNER

Julia Koerner

JK Design GmbH/ JK3D

juliakoerner.com

BLOG - ZIMONYI GWENDOLIN

Zimonyi Gwendolin

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Oskar Zieta

zieta.pl

“He makes almost exclusively metal objects that can often be viewed rather as sculptures of varying scales, abstract objects or material manipulations. As a designer he does research and experiments related to metals. He was already greatly occupied by the topic during his PhD studies at ETH Zurich (Eidgenössische Technische Hochschule in Zürich).

Zieta established his own studio in 2010 with architects, designers and engineers.

They have since made “inflatable” metal furniture, mirrors and other accessories using a special procedure. With their patented procedure they model 3D objects using mathematical computations and software, then make them out of sheet metal. These creations have an artistic effect but are also considered technological novelties. They are future visions of sorts displaying precision and randomness at the same time.

The direct prototype of his Ultraleggera chair was Gio Ponti’s Superleggera chair unveiled in 1957. The chair is still one of the world’s most famous designer furniture pieces, having become an emblematic piece of an age – not least because it only weighs 1700 grams. Like its predecessor, Ultralegerra’s design is similarly reduced – but it’s even lighter thanks to both its seat pan and backrest being made out of laser-cut aluminium.”

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Jamie Hayón

hayonstudio.com

“Although one of the hottest designers of our time, the attitude and perspective of this Spanish artist differ slightly from the classic stereotype of industrial designers. The vision of a sculptor and irony both typify his works, quite a few of them are even teetering on the thin boundary between fine art and everyday objects of use. He designs mainly furniture and furnishing accessories, but likes trying his hand in unknown fields like shoe design too. His ideas are partly embodied in complex interiors: quite a few shop, hotel and restaurant interiors can be attributed to him. The holder of many design awards, he is often referred to as one of the defining “visionaries” of our time.

He launched his independent practice in 2001. The breakthrough came in a London gallery with the installation called “Mediterranean Digital Baroque”: a forest of porcelain cacti surrounded by graffiti walls, populated by pigs, birds and surreal creatures. The bombastic debut was followed by „Mon Cirque” in 2005, which got him his first really big commission. His clients include defining brands such as Fritz Hansen, Cassina, Magis, Swarovski and Bisazza. Of course, he is active in Spain as well; he fosters close relations with the Bd Barcelona furniture factory, having designed numerous models for them. Rising above all are the Dino armchair with its representative but playful lines, and the spaceship-like Explorer tables – with their unique shape and cool colours they have become emblematic pieces of the manufacturer.”

BLOG - KATARZYNA BORKOWSKA, TOMASZ PYDO

Katarzynę Borkowską, Tomasza Pydo

kabo-pydo.com

“Besides classic design assignments, this duo from Warsaw also does 3D design, graphic arts, visual communication and design strategy formulation. Their approach is interdisciplinary, research-based and innovative. Thanks to their comprehensive work method their clientele is especially varied. Whether designing furniture, kitchen accessories, garden tools or playground equipment, they carefully map the field alongside user needs and come up with intelligent and ergonomic solutions that make the works of Katarzyna Borkowska and Tomasz Pydo exceptional among Polish designers.

Their Wire Medusa lamp, designed for Flexx of Poland, follows the typical style of crystal chandeliers while representing a new aesthetic quality and technical innovation in the designer luminaire market. Made up of curved wire segments, the rigid structure is airy despite its imposing size; its shadow cast on the wall is mysterious and refined. Thanks to the exciting choice of colours it is an ornament for any interior.”

BLOG - ENCOUNTERS

At the exhibition, two Finnish and two Hungarian designers’ works are being showcased. The exhibition will be held at Kiscelli Múzeum as part of the Design Without Borders exhibition and Budapest Design Week.

The art pieces in the exhibition are related to tea and coffee drinking, reminding the audience of the increasing importance of international encounters and cultural dialogue. Even if the practical items seem to be simple in their function, the design aspect of them is quite the opposite.

The designers showcased in the exhibition are:

Pálma Babos is a ceramic artist with a vision to strip the baroque clichés off from porcelain and show its 21st century face. She is looking for the matching role of porcelain objects in our new ways of living today. DESIGN, in her interpretation, is a kind of communication, so an object must always be about something in addition to functioning.

Márton Strohner is a ceramic artist and designer with a versatile experience in his craft. His brand MASTRO offers unique, handmade pieces, combining the two fundamental design principles of quality and function. Besides his dedication to detail and careful workmanship, he strikes a contemporary yet classical chord with products of extraordinary appeal.

Johanna Rytkölä is a ceramic artist and sculptor with a long and impressive career. Her sculptures are characterized by positivity, clear design language, fresh colors. Her works could be best compared to stories and fairy tales, where memories, fantasies, facts and fictions intertwine with each other.

Åsa Hellman is an award-winning artist, who is inspired by the natural scenery of Finland. Her ceramics are truly unique, perfected with a wide range of different techniques. The constantly changing hues and shapes of trees, plants and water fascinate her and these wonders appear in her ceramic art pieces.

Palma Babos

Åsa Hellman

Johanna Rytkölä

Marton Strohner

intezet_magyar_helsinki
51_kult_finnagoria

TEXHIBITION

TEXHIBITION 2020 – PHOTO: REGŐS BENCE

TEXHIBITION 2019 – PHOTO: JUHÁSZ G TAMÁS

The project has seen 3 textile manufacturers – Csárda Tex Kft., Lénárd Zászlókészítő Kft., Meritum Kft. Aste Bútorszövet és Lakástextil – and 20 textile designer applied artists from various generations and styles jointly develop jacquard, dobby, digitally printed and custom-design collections in the past 5 consecutive years. Participating designers are free to use the prototype collection of more than 150 pattern and colour variants. Additionally, together they seek further long-term retail and development possibilities and international relations. At the same time, designers have an ongoing appearance opportunity in the Eventuell Gallery.

The newest results can be viewed at the Design Without Borders exhibition; the full collection will go on display in the FUGA Budapest Center of Architecture in December.

A smaller cross-section of TEXHIBITION will appear in Bratislava and Vienna as part of the Design Without Borders exhibition in 2021, and a compilation selection of the past 5 years will be on show at the Lodz Design Festival.

It has become a tradition for TEXHIBITION too to showcase the works of foreign designers besides the joint developments. In 2020 two MA students of VSVU’s Department of Textiles will participate in the exhibition.

Lőrincz V. Gabi
Molnár Réka
Szabó Viki
Vörös Tara Zsófia
Horváth Evelin
Csíkszentmihályi Réka
Regős Anna
Szigeti Szilvia
Koós Daniella
Szabolcs Erzsébet
Vereczkey Szilvia
Újváry Berta
Kanics Márta
Vető Márta
Kollár Ágnes
Balázs Viola
Zimonyi Gwendolin
Söptei Eszter

VLOG

However, the organisers made this wealth of material available for everyone – quite literally without borders. Innovative even internationally, a platform called dwb VLOG was created, containing 30-35 second short films of the works of the 154 artists from 14 countries that had been exhibited last year.

Besides design objects in the narrow sense, the dwb VLOG also features prototypes, contemporary jewellery, projects that interpret genre boundaries loosely, and environmentally conscious creations serving sustainable development in a novel artistic approach.

Dance artist Rita Góbi’s improvisations reflect upon the objects. Her movements react to the form and function, as well as the intellectual content of each piece, creating new connections on the border between design and the performing arts. The dance improvisations are accompanied by drum solos composed by Dávid Szegő.

The short films of the objects were filmed by Mikul Mácsai and Miklós Horváth, the videos of the jewellery were made by Digitális Képműhely, post-production by Mikul Mácsai.

The entire content is available on the Design without borders exhibition’s website, Instagram and YouTube channel.

The dwb VLOG was supported by the International Visegrad Fund and Pro Helvetia, with Dezeen as core media partner.

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